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<quotations
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  <quotation id="q1">
    <p>
      When two people are at one 
      <br />
      in their inmost hearts 
      <br />
      They shatter even the strength of iron 
      <br />
      or of bronze 
      <br />
      And when two people understand each other 
      <br />
      in their inmost hearts 
      <br />
      Their words are sweet and strong 
      <br />
      like the fragrance of orchids.
    </p>
      <source>"When Two People Are at One", from the I Ching.</source>
  </quotation>

  <quotation id="q2">
    <p>
      I find love 
      <br />
      not only 
      <br />
      in the things 
      <br />
      we do together 
      <br />
      but also 
      <br />
      in the things 
      <br />
      I do alone 
      <br />
      Because of you. 
      <br />
      In the thoughts 
      <br />
      you inspire, 
      <br />
      in the dreams 
      <br />
      you haunt, and 
      <br />
      in the memories 
      <br />
      you are helping 
      <br />
      me to build. 
      <br />
      I find love 
      <br />
      in you.
    </p>
      <author>Robert J. Doebley</author>
      <source>"Finding Love"</source>
  </quotation>

  <quotation id="q3">
    <p>
      Let me not to the marriage of true minds 
      <br />
       Admit impediments. Love is not love 
      <br />
       Which alters when it alteration finds, 
      <br />
       Or bends with the remover to remove: 
      <br />
       O no! it is an ever-fixed mark 
      <br />
       That looks on tempests and is never shaken; 
      <br />
       It is the star to every wandering bark, 
      <br />
       Whose worth's unknown, although his height be taken. 
      <br />
       Love's not Time's fool, though rosy lips and cheeks 
      <br />
       Within his bending sickle's compass come: 
      <br />
       Love alters not with his brief hours and weeks, 
      <br />
       But bears it out even to the edge of doom. 
      <br />
       If this be error and upon me proved, 
      <br />
       I never writ, nor no man ever loved.
    </p>
      <author>William Shakespeare</author>
      <source>Sonnet CXVI</source>
  </quotation>

  <quotation id="q4">
    <p>
      What thou lovest well remains, the rest is dross. 
      <br />
       What thou lov'st well shall not be reft from thee. 
      <br />
       What thou lov'st well is thy true heritage...
    </p>
      <author>Ezra Pound</author>
      <source><cite>The Cantos</cite></source>
  </quotation>

  <quotation id="q5">
    <p>
      In the marriage ceremony, that moment when falling in love is
replaced by the arduous drama of staying in love, the words "in
sickness and in health, for richer, for poorer, till death do us part"
set love in the temporal context in which it achieves its meaning. As
time begins to elapse, one begins to love the other because they have
shared the same experience... Selves may not intertwine; but lives do,
and shared memory becomes as much of a bond as the bond of the flesh.
    </p>
      <author>Michael Ignatieff</author>
      <source>"Lodged in the Heart and Memory"</source>
  </quotation>

  <quotation id="q6">
    <p>
      A good relationship has a pattern like a dance and is built on
some of the same rules. The partners do not need to hold on tightly,
because they move confidently in the same pattern, intricate but gay
and swift and free, like a country dance of Mozart's. To touch heavily
would be to arrest the pattern and freeze the movement, to check the
endlessly changing beauty of its unfolding. There is no place here for
the possessive clutch, the clinging arm, the heavy hand; only the
barest touch in passing. Now arm in arm, now face to face, now back to
back -- it does not matter which. Because they know they are partners
moving to the same rhythm, creating a pattern together, and being
invisibly nourished by it.
    </p>
    <p>
      The joy of such a pattern is not only the joy of creation or the
joy of participation, it is also the joy of living in the moment.
Lightness of touch and living in the moment are intertwined. One
cannot dance well unless one is completely in time with the music, not
leaning back to the last step or pressing forward to the next one, but
poised directly on the present step as it comes. Perfect poise on the
beat is what gives good dancing its sense of ease, of timelessness, of
the eternal.
    </p>
      <author>Anne Morrow Lindbergh</author>
      <source><cite>Gift from the Sea</cite></source>
  </quotation>

  <quotation id="q7">
    <p>
      We were on the pier, you desiring 
      <br />
       That I see the Pleiades. I could see 
      <br />
       everything but what you wished.
    </p>
    <p>
      Now I will follow. There is not a single cloud; the stars
appear, even the invisible sister. Show me where to look, as though
they will stay where they are.
    </p>
    <p>
      Instruct me in the dark.
    </p>
      <author>Louise Glück</author>
      <source>"Under Taurus"</source>
  </quotation>

  <quotation id="q8">
    <p>
      A man expects an angel for a wife; [yet] he knows that she is
like himself -- erring, thoughtless and untrue; but like himself also,
filled with a struggling radiancy of better things. ... You may safely
go to school with hope; but ere you marry, should have learned the
mingled lesson of the world: that hope and love address themselves to
a perfection never realized, and yet, firmly held, become the salt and
staff of lift; that you yourself are compacted of infirmities ... and
yet you have a something in you lovable and worth preserving; and
that, while the mass of mankind lies under this scurvy condemnation,
you will scarce find one but, by some generous reading, will become to
you a lesson, a model and a noble spouse through life. So thinking,
you will constantly support your own unworthiness and easily forgive
the failings of your friend. Nay, you will be wisely glad that you
retain the ... blemishes; for the faults of married people continually
spur up each of them, hour by hour, to do better and to meet and love
upon a higher ground.
    </p>
      <author>Robert Louis Stevenson</author>
      <source><cite>Virginibus Puerisque</cite></source>
  </quotation>

  <quotation id="q9">
    <p>
      You have to walk carefully in the beginning of love; the running
across fields into your lover's arms can only come later when you're
sure they won't laugh if you trip.
    </p>
      <author>Jonathan Carroll</author>
      <source><cite>Outside the Dog Museum</cite></source>
  </quotation>

</quotations>